1999       American Photography 15

  "New Eyes - Scenes from the Millenium," The New York Times Sunday Magazine, (09/19/99)

          Re-imagined by Living Artists – "The Look of Fear”

   American Photography 15

1998        The New York Times Sunday Magazine (05/24/98)

   “Attachment Theory: The Ultimate Experiment” by Margaret Talbot

    Harper's Magazine (08/98 “Torch Song, At the Peripheries of Violence and Desire, by Charles Bowden

                 The Washington Post Magazine (06/07/98)

         “The Drinking Age” by Susan Cohen

   The Art of the X-Files (Harper Prism)

   Graphis Fine Art

    Long Shot Vol. 20

1997    Graphis Nudes 2

1996    "Aperture 149: Dark Days: Mystery. Murder, Mayhem"

    "Aperture 148: Delirium"

    Blind Spot, Number 8

    The New Yorker - "Self-Portrait"




Criticizing Photographts.fifth edition,Terry Barrett,McGraw Hill

The 3200,nyc,Portfolio,issue 1

Blow Photography Magazine ,Ireland,TRUE, issue 1

Aperture Magazine, "Because the Darkness Feeds My Soul ", Fall 2009 , Portfolio with Neil Labute

BOMB Magazine. Spring 2007, by Betsy Sussler

Found, George Eastman House Catalogue, 2007, by Alison Nordstrom

Art In America, April, 2004 review, by Jean Dykstra

Photography in New York (cover and “About the Cover,”by Jean Dykstra)

Art News (Dec, 2003), “The New Visionaries,” by Barbara Pollack

 “Portfolio: Ordinary Madness”, Photography Now - Journal fur Fotografie und Videokunst 1.03

SF Camerawork, Vol. 29, No.1, (Spring/Summer)

“Portfolio: Everyman: A Search for the Male Form,” by Nora Kabat

The New York Times - Review: Barry Schwabsky,1997 New Jersey Arts Annual - 10/07/97The Record - Review: Mary Jane Fine, "Picasso with a Camera" -09/24/96

The New York Observer - Review by A.D. Coleman, "Gerald Slota's Residue of Tales; It's Not Art Brut, It's Art" -1/15/96